Sonya Rapoport was born
on October 6, 1923 in Boston, Massachusetts. She has studied a variety of
topics at a variety of schools. Rapoport first began attending classes at the
Boston Museum of Fine Arts. Later, she studied at the Massachusetts College of
Art for two years. She later ended up earning a bachelor’s degree in Biology
from Boston University. After this, Rapoport received a B.A. in Labor Economics
from New York University, studied figurative art and oil painting at the
Corcoran School of Art in Washington D.C., and finally got a master’s degree in
art from the University of California, Berkeley. Her art has been shown around
the world from Brazil to France. Her earlier work in painting seems to explore
the abstracted form of the human figure. In the 1970’s her work shifted and she
became more interested in electronic media. She is a multi-media artist, but became
known for her influential work in the realm of computer based art.
Her work has a strong
element of both natural and social sciences. Rapoport’s background in Biology
is very evident throughout many of here pieces. She adds a more personal aspect
to science and technology. Her work adopts pieces of modern science and
technology and through her work, attempts to make these concepts for relevant, accessible,
and personal. There are strong interdisciplinary themes in Rapoport’s work. One
of her largest projects entitled Objects
On My Dresser shows images of twenty-nine objects from her dresser which
were then paired with twenty-nine other images that were chosen based on both
psychological and cultural associations drawn by Rapoport. She first evaluated
the objects more objectively looking at shape, color, monetary values. The
artist then became to make more emotional responses to said objects. The work
also explored the ideas of metaphors and word-associations.
Aesthetically, I was
very drawn to the organized feel of Sonya Rapoport’s work. In particular, Objects On My Dresser feels as if one is
looking at a somewhat complex map based on hidden meanings and secret codes.
However, the piece also has a somewhat more personal feel with the clumsily
placed labels, and images of varying sizes. Her piece Periodic Table of the Elements again successfully fuses a more
scientific, and organized idea with more personal feeling pictures and
associations. Many of Rapoport’s pieces have this balanced feeling of objective
and subjective which is why I feel so drawn to many of her works. The layout of
these pieces feel carefully calculated and premeditated, but there is an
overarching emotive feeling that helps to keep the viewer interest and connect
him/her to the piece.
Works Cited
http://www.wikipaintings.org/en/sonya-rapoport/objects-on-my-dresser-phase-4-exhibition-in-print-1981#supersized-artistPaintings-288804
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